Art Print the Garment Jungle Top Right Gia Scala Kerwin Mathews 1957 at Artcom Size 24x16in
| The Garment Jungle | |
|---|---|
 Theatrical release affiche | |
| Directed by | Vincent Sherman |
| Screenplay by | Harry Kleiner |
| Based on | manufactures "Gangsters in the Clothes Business concern" by Lester Velie |
| Produced by | Harry Kleiner |
| Starring | Lee J. Cobb Kerwin Mathews Gia Scala Richard Boone Valerie French |
| Cinematography | Joseph F. Biroc |
| Edited by | William Lyon |
| Music past | Leith Stevens |
| Color process | Black and white |
| Production | Columbia Pictures |
| Distributed by | Columbia Pictures |
| Release appointment |
|
| Running fourth dimension | 88 minutes |
| State | Usa |
| Language | English |
| Budget | $1,050,000[one] |
| Box office | 260,086 admissions (France)[two] |
The Garment Jungle is a 1957 American film noir crime motion picture directed by Vincent Sherman and starring Lee J. Cobb, Kerwin Mathews, Gia Scala, Richard Boone and Valerie French.[iii]
Plot [edit]
Alan Mitchell is a returning Korean State of war veteran who joins his father Walter'south garment company, Roxton Fashions. The firm has been paying protection coin to gangsters led by Artie Ravidge to go on the wedlock out.
Walter's partner, Fred Kenner, sympathizes with the wedlock's goals. After he tells Walter to sever his ties with the hoodlum enforcers, Kenner is killed when the freight elevator he enters, which was just 'stock-still' past one of the hoods disguised equally a repairman, plunges 12 stories to the bottom of the shaft. Tulio Renata is a matrimony organizer trying to organize the manufacturing plant, who also afterward gets murdered by Ravidge's men, and his wife Theresa Renata endures threats confronting herself and their child.
Alan Mitchell comes to sympathise with the plight of the workers. When he finally convinces his father to fire the matrimony-busting gangsters, Walter is killed and Ravidge attempts to accept over the manufacturing plant. Theresa Renata takes copies of Mitchell's records to the police, who arrest Ravidge.
Cast [edit]
- Lee J. Cobb as Walter Mitchell
- Kerwin Mathews equally Alan Mitchell
- Gia Scala every bit Theresa Renata
- Richard Boone as Artie Ravidge
- Valerie French as Lee Hackett
- Robert Loggia as Tulio Renata
- Joseph Wiseman as George Kovan
- Harold J. Stone every bit Tony
- Adam Williams equally Ox
- Wesley Addy as Mr. Paul
- Willis Bouchey as Dave Bronson
- Robert Ellenstein every bit Fred Kenner
- Celia Lovsky equally Tulio'southward mother
Production [edit]
Development [edit]
In November 1955 Columbia appear they had purchased the rights to a Readers Digest article, "Gangsters in the Dress Business" by Lester Velie, nigh the efforts of organized crime to infiltrate the garment manufacture. Harry Kleiner was assigned to write and produce. It was to be called Garment Center. Executive producer Jerry Wald said the flick would pay tribute to the efforts of unions to fight crime, and be shot in role on location in the garment commune in New York.[4]
Robert Aldrich [edit]
In July 1956 Robert Aldrich signed a ii picture deal with Columbia to make films through his own visitor, The Associates and Aldrich, and Garment Middle was to be the start.[5] [half dozen] Aldrich says he mostly agreed to practise the picture show and so Columbia would finance the second movie he wanted to make, Until Proven Guilty.[7]
Aldrich said Kleiner'south script was "terribly tough, controversial".[8] He said it was nearly how mostly Jewish manufacturers hired the more often than not Italian mafia to help them with labor. Aldrich said "information technology was a marvellous conflict - racial, social, religious."[9]
Eventually the film was made for Columbia directly, but Aldrich planned to follow information technology with Until Proven Guilty for his visitor and to be distributed through Columbia. He arrived in New York with Kleiner in July to commencement scouting locations.[10]
The lead roles were given to Lee J. Cobb, who had been in On the Waterfront (1954), a similar organized-law-breaking-in-labor story for Columbia, and Kerwin Matthews, who was nether contract to the studio and had just starred in The 7th Voyage of Sinbad.[11] Aldrich says he had to use Matthews along with other Columbia contract players such as Gia Scala, Robert Loggia, and Valerie French. "The presence of iv newcomers tin can seriously overburden the director," said Aldrich. "But such were the terms of the agreement with Columbia."[vii]
Aldrich called the movie "the first pro-labor moving-picture show; in it I am trying to emphasize another item aspect of our times - the tragedy of the modest businessman, caught between the e'er expanding big corporations and the pressures of organized labor. The minor businessman has often, in order to stay alive, compromise with graft and blackmail....[the film] should be an unusually frank pic."[7]
Filming began on 12 October 1956 with location shooting in New York.[12] [13] Columbia rented and fitted out its ain garment centre for filming.[14]
Firing of Robert Aldrich [edit]
On iii December information technology was reported that Aldrich had "come to an impasse after several weeks of filming" and would be replaced as director by Vincent Sherman, who had made a number of films for Columbia.[xv]
Aldrich says "it was shaping up as a pretty good picture" when Columbia "suddenly realized they had no intention of making that sort of document; they wanted to make 'male child meets daughter in a dress factory'. I was pretty stubborn, and Harry Cohn, head of Columbia, was pretty stubborn, and they wanted to alter the focus, the force, the direction of the picture. I wouldn't do it and Cohn fired me."[eight] He said Cohn "became frightened how tough it was."[16]
Aldrich says he had go interested in the Lee J. Cobb graphic symbol, the man "squeezed out by both large business and excessive labor demands and gansterism... also fettered by existence Jewish, of which he was proud but also sub consciously angry since information technology interfered with his complete freedom due to the survival of some brands of anti-Semitism."[17]
Aldrich added that Lee J Cobb "was i of the sore points on that movie. He had an old, long continuing relationship with Harry Cohn; Cobb and I did not get along. He's a very strong willed actor - a wonderful actor just... That could have been a wonderful picture. Information technology just ran out of guts in the middle."[eighteen]
Aldrich said Cobb "didn't want to be a rough begetter. He didn't desire to accept people dislike him. And it was necessary for him to be a tough, miserable son of a bitch, not a good guy. And then everyday someone or other would want me to soften the script."[19]
Co-ordinate to Sherman, "Aldrich and the producer were not getting along" and "neither 1 of them were getting forth with Harry Cohn". Cohn asked Sherman to do "one or ii scenes and I couldn't plow him downwards." Sherman says Cohn and so asked him to finish the picture. "I didn't know what the hell was going on," said Sherman. "I re-shot, I would say, about seventy percent of the picture in about ten days fourth dimension." [20]
"That was a strange feel," said Aldrich. "I don't recollect another occasion of a guy getting fired for wanting to shoot the picture he'd been assigned. Usually, if y'all're fired, it's for wanting to change the script."[8]
Aldrich says he never saw the final movie simply was told "about half or two thirds of it is mine".[8] He may accept seen it later considering he said Sherman made it "very quiet and very mild; information technology became a honey story, as well about a begetter who wanted give his business to his son, all that bullshit."[ix]
Aldrich went on to sue Columbia for not financing Tempest in the Lord's day, a film he wanted to make. The instance settled out of court.[21]
Despite the firing Aldrich admired Cohn. "I recollect he ran a marvellous studio... I recollect he did it as well as anybody could do information technology... He wasn't in the money business he was in the movie business concern."[viii] Aldrich says he had a hazard to do other work for Cohn before the latter died but didn't go and "always regretted it."[8]
See besides [edit]
- List of American films of 1957
References [edit]
- ^ Alain Silver and James Ursini, Whatever Happened to Robert Aldrich?, Limelight, 1995 p 249
- ^ French box office results for Robert Aldrich films at Box Function Story
- ^ The Garment Jungle at IMDb.
- ^ GARMENT Centre' PLANNED Equally Picture: Gangster Efforts to Invade New York Industry to Be Dramatized by Columbia New York Times 17 November 1955: 44.
- ^ ALDRICH TO MAKE 2 COLUMBIA FILMS: Independent Producer Volition Direct Story of Racketeers in Garment Commune Sagan Novel to Be Moving picture Of Local Origin By OSCAR GODBOUT New York Times eleven July 1956: 19.
- ^ Drama: Duff Developing Quick Video-to-Feature Deal; 'Don Quixote' Proposed Schallert, Edwin. Los Angeles Times xix July 1956: A13.
- ^ a b c Aldrich p eight
- ^ a b c d east f Interview with Robert Aldrich Greenberg, Joel. Sight and Sound; London Vol. 38, Iss. 1, (Wintertime 1968): 8.
- ^ a b Aldrich p 131
- ^ NOTED ON THE LOCAL SCREEN SCENE: THE CIRCUS COMES TO AN ITALIAN Boondocks IN A NEW IMPORT By A.H. WEILER. New York Times 15 July 1956: 69.
- ^ Swires, Steve (June 1987). "Kerwin Mathews: The Perilous Voyages of Sinbad Part One". Starlog. No. 119. pp. 28–64.
- ^ GRIFFITH ENLISTS FOR Picture HITCH: 'No Time for Sergeants' Star to Repeat Phase Function in Warner Brothers Flick Of Local Origin By THOMAS M. PRYOR New York Times xiii Oct 1956: 14.
- ^ SCREENING THE LOCAL MOTION Motion-picture show SCENE: DINNER AT A SPANISH MONASTERY By A.H. WEILER. New York Times 21 Oct 1956: 131.
- ^ Heflin to Costar With Glenn Ford; Pecker Joyce Given Buildup past MGM Scheuer, Philip Thou. Los Angeles Times half dozen November 1956: 25.
- ^ BASSLER TO Moving picture WESTERN FOR U.A.: Independent Product Will Star McCrea and Stevens-- Am-Par to Begin Work Steiger to Get Abroad Of Local Origin Past THOMAS G. PRYOR New York Times 3 Dec 1956: 39.
- ^ Aldrich p 104
- ^ Aldrich p 14
- ^ Aldrich p 35
- ^ Aldrich p 64
- ^ Davis, Ronald L. (2005). Simply making movies . University Printing of Mississippi. p. 99. ISBN9781578066902.
- ^ AUDREY HEPBURN WEIGHS Picture show Role: Actress Is Uncommitted on Offer to Star in 'Diary of Anne Frank' for Trick Gene Kelly Takes Over Of Local Origin By THOMAS M. PRYOR New York Times 1 May 1957: 41.
Notes [edit]
- Aldrich, Robert (2004). Robert Aldrich : interviews . University Press of Mississippi. </ref>
External links [edit]
- The Garment Jungle at IMDb
- The Garment Jungle at AllMovie
- The Garment Jungle at the TCM Movie Database
- The Garment Jungle motion-picture show trailer on YouTube
stephensonthation.blogspot.com
Source: https://en.wikipedia.org/wiki/The_Garment_Jungle
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